flit [sparrow]

a ghost garden      last year’s      still blooms 
              on the patio             an undying marigold 
lanky rosemary                 rose-scented

geranium       all having survived this 
           unsown year 
                                           and a shadow moves 
among those leaves       fleet in rising sun

I turn to it        and it has gone 
                       pancakes cool on my plate     I’m reading 
          and eating alone 
                                               my husband having taken 
a last October ride      he says           I could bundle up

but I don’t see any reason to 
                                                                        there 
          another pass of        I don’t know what 
door panes squaring its flit

that ghost is the second     possibility I consider 
            is telling      telling              I say to myself 
I could not believe in ghosts       but I don’t see

any reason to 
                                              a bird materializes 
               on the chair outside           wholly in shadow 
there and not there

                                                  I want to have you again 
as ghost even          to keep you with me 
             glimpse or glance 
                                                                  corporeal 
bird                  a perfect explanation 
fine then                                 I want to have you 
as a bird                     I will tell you 
           what I have to say      in bird language 
I think I could learn it 
                                              like eternal vows I’ve made 
if eternity       is a shadow that flickers 
           a bird away               a ghost 
in the corner of my eye

Credit

Copyright © 2025 by Lisa Bickmore. Originally published in Poem-a-Day on November 21, 2025, by the Academy of American Poets.

About this Poem

“The phenomenon of peripheral perception—the almost-not-noticed movement or flash of color just barely in and out of view—has, for me, come to stand in for the lost but still somehow present beloved dead. They flicker, appear and disappear. I wish I could tell my sister about my achy knee, about the yellow birds we saw in a Russian olive tree at the river. I want a language and an occasion to speak to her, though I have neither. The dying garden, with its transient birds, is a summoning space where I might find her, if I’m lucky.”
—Lisa Bickmore