Fate
That you are fair or wise is vain,
Or strong, or rich, or generous;
You must have also the untaught strain
That sheds beauty on the rose.
There is a melody born of melody,
Which melts the world into a sea.
Toil could never compass it,
Art its height could never hit,
It came never out of wit,
But a music music-born
Well may Jove and Juno scorn.
Thy beauty, if it lack the fire
Which drives me mad with sweet desire,
What boots it? what the soldier’s mail
Unless he conquer and prevail?
What all the goods thy pride which lift,
If thou pine for another’s gift?
Alas! that one is born in blight,
Victim of perpetual slight;—
When thou lookest in his face,
Thy heart saith, Brother! go thy ways.
None shall ask thee what thou doest,
Or care a rush for what thou knowest.
Or listen when thou repliest,
Or remember where thou liest,
Or how thy supper is sodden,—
And another is born
To make the sun forgotten.
Surely he carries a talisman
Under his tongue;
Broad are his shoulders, and strong,
And his eye is scornful,
Threatening, and young.
I hold it of little matter,—
Whether your jewel be of pure water,
A rose diamond or a white,—
But whether it dazzle me with light.
I care not how you are drest,
In the coarsest, or in the best,
Nor whether your name is base or brave,
Nor for the fashion of your behavior,—
But whether you charm me,
Bid my bread feed, and my fire warm me,
And dress up nature in your favor.
One thing is forever good,
That one thing is success,—
Dear to the Eumenides,
And to all the heavenly brood.
Who bides at home, nor looks abroad,
Carries the eagles, and masters the sword.
This poem is in the public domain. Published in Poem-a-Day on August 17, 2025, by the Academy of American Poets.
“Fate” appears in The Early Poems of Ralph Waldo Emerson (A. L. Burt Company, 1900). In his essay, “Shakespeare; or, the Poet,” Emerson wrote in 1850: “A poet is no rattlebrain, saying what comes uppermost and, because he says everything, saying, at last, something good; but a heart in unison with his time and country. There is nothing whimsical and fantastic in his production, but sweet and sad earnest, freighted with the weightiest convictions, and pointed with the most determined aim which any man or class knows of in his times. […] The world still wants its poet-priest, a reconciler, who shall not trifle with [William] Shakespeare the player, nor shall grope in graves with [Emanuel] Swedenborg the mourner; but who shall see, speak, and act, with equal inspiration. For knowledge will brighten the sunshine; right is more beautiful than private affection; and love is compatible with universal wisdom.”