At the End of the Endless Decade
For years had anyone needed me
to spell the word commiserate
I’d have disappointed them. I envy
people who are more excited
by etymology than I am, but not
the ones who can explain how
music works—I wonder whether
the critic who wrote
that the Cocteau Twins were the voice
of god still believes it. Why not,
what else would god sound like.
Even though I know better, when I see
the word misericordia I still think
suffering, not forgiveness;
when we commiserate we are united
not in mercy but in misery,
so let’s go ahead and call this abscess
of history the Great Commiseration.
The difference
between affliction and affection
is a flick, a lick—but check
again, what lurks in the letters
is “lie,” and what kind of luck
is that. As the years pile up
our friends become more vocal
about their various damages:
Won’t you let me monetize
your affliction, says my friend
the corporation. When I try to enter
the name of any city
it autocorrects to Forever:
I’m spending a week in Forever,
Forever was hotter than ever
this year, Forever’s expensive
but oh the museums,
and all of its misery’s ours.
Copyright © 2020 by Mark Bibbins. Originally published in Poem-a-Day on March 5, 2020 by the Academy of American Poets.
“In fairness to the decade, the endlessness began in earnest in 2016, growing exponentially, hideously endlesser after that. You might be familiar with W. H. Auden’s observation, often quoted out of context, that ‘poetry makes nothing happen,’ but if this poem gets you to listen to the Cocteau Twins today, that’s something.”
—Mark Bibbins