Deserving
He runs the gun down my sternum
wrists pressed against my breasts
the ink sharp from the lip of the gun’s hum.
Exhale only when he loosens. Carrie captures
all of this on film. Photos failing to
snap my ancestors guiding his hand
down my chest.
I ask him about Rihanna,
and he tells me his friend was pressured
into doing it. She makes a new tattoo appointment
once she returns to America, to cover up
the indigenous ink she received here
and I’m reminded of my own unworthiness
that I sometimes throw in the backseat
of my pride. She didn’t deserve that tatau.
I get that.
I plan to get my malu one day, but I just don’t feel
like I deserve it yet, I tell him
as his body is still pressed against mine,
his precision below my chin, steady and solemn.
I find it interesting, he says, when people say
they don’t feel like they ‘deserve’ their malu.
To me, your malu feels like your birthright no?
I swallow without speaking.
My breath held captive
in his indigenous hands.
Between each buzz of the gun’s mouth
on my indigenous skin.
Copyright © 2020 by Terisa Siagatonu. Originally published in Poem-a-Day on January 30, 2020, by the Academy of American Poets.
“I was in Aotearoa (indigenous name for New Zealand) when I was gifted this poem’s tattoo from an indigenous tattoo artist and wrote this poem. In our Pacific Islander culture, the tatau (tattoo) is a sacred, ceremonial part of our identity. As a Sāmoan-American writer who exists in diaspora, living up to the meaning of these markings on my skin—as well as in my writing—is a heavy, ancestral responsibility that I oftentimes doubt I am equipped to do. So to have the artist tell me that receiving my malu (a Sāmoan tattoo commonly given to women as a cultural rite of passage in her life) is my birthright shifted something in my understanding of my indigeneity as an indigenous poet existing in diaspora. Above all: it solidified it.”
—Terisa Siagatonu