Cut Lilies

More than a hundred dollars of them.

It was pure folly. I had to find more glass things to stuff them          
       in.

Now a white and purple cloud is breathing in each corner

of the room I love. Now a mass of flowers spills down my                  
      dining table—

each fresh-faced, extending its delicately veined leaves

into the crush. Didn’t I watch

children shuffle strictly in line, cradle

candles that dribbled hot white on their fingers,

chanting Latin—just to fashion Sevilla’s Easter? Wasn’t I sad?          
      Didn’t I use to

go mucking through streambeds with the skunk cabbage raising

bursting violet spears?  —Look, the afternoon dies

as night begins in the heart of the lilies and smokes up

their fluted throats until it fills the room

and my lights have to be not switched on.

And in close darkness the aroma grows so sweet,

so strong, that it could slice me open. It does.

I know I’m not the only one whose life is a conditional clause

hanging from something to do with spring and one tall room          
      and the tremble of my phone.

I’m not the only one that love makes feel like a dozen

flapping bedsheets being ripped to prayer flags by the wind.

When I stand in full sun I feel I have been falling headfirst for          
      decades.

God, I am so transparent.

So light. 

Credit

Copyright © 2016 Noah Warren. Used with permission of the author.

About this Poem

“‘Cut Lilies’ came during a nadir of loneliness in the early spring. Though I’m not religious, each year I find I need Easter more and more. Blake’s ‘Holy Thursday’ was heavy in my mind as I tried, through something like the pathetic fallacy, to trace the contours of the guilt behind my self-pity and my need.”
—Noah Warren