One for tree, two for woods,        
                                                            I-Goo wrote the characters           
                               
                                               out for me. Dehiscent & reminiscent:
what wood made
                                               Ng Ng’s hope-chest

that she immigrated with
                                                                     —cargo from Guangzho

to Phoenix? In Spanish, Nana tells me

                                                           hope & waiting are one word.

                                        _____

In her own hand, she keeps
                                         a list of dichos—for your poems, she says.

Estan mas cerca los dientes
                      que los parentes, she recites her mother

& mother’s mother. It rhymes, she says.
                                                         
                                   Dee-say—the verb with its sound turned
down looks like dice
                                              to throw & dice, to cut. Shift after shift,

she inspected the die of integrated circuits
                                       beneath an assembly line of microscopes—            

the connections over time
                                                        getting smaller & smaller.

                                          _____
                                                                        
                                                To enter words in order to see
                                                                             —Cecilia Vicuña

In the classroom, we learn iambic words
                                          that leaf on the board with diacritics—

about, aloft, aggrieved. What over years

          accrues within one’s words? What immanent
                                                                        sprung with what rhythm?

Agave—a lie in the lion, the maenad made mad

by Dionysus awoke to find her son
                                    dead by her hand. The figure is gaslit

even if anachronistic. Data & river banks—
           memory’s figure is often riparian.  I hear Llorona’s agony

echo in the succulent. What’s the circuit in cerca to short

          or rewire the far & close—to map
                                                   Ng Ng & I-Goo to Nana’s carpool?

                                         ______

I read a sprig of evergreen, a symbol
                                               of everlasting, is sometimes packed

with a new bride’s trousseau. It was thirteen years
                                             
before Yeh Yeh could bring
                                                Ng Ng & I-Goo over. Evergreen
                     
& Empire were names of corner-stores
                                             
where they first worked—
                                             stores on corners of Nana’s barrio.

Chinito, Chinito! Toca la malaca—
                                                             she might have sung in ’49

after hearing Don Tosti’s  
                                    recording—an l where the r would be

in the Spanish rattle filled with beans or seed or as
                                                                         the song suggests

change in the laundryman’s till.

                                         ______

I have read diviners
                       use stems of yarrow when consulting
                                                                                    the I-Ching.

What happens to the woods in a maiden name?

Two hyphens make a dash—
                                                the long signal in the binary code.
                                             
Attentive antennae: a monocot

—seed to single leaf—the agave store years
                                             for the stalk. My two grandmothers:
                                                         
one’s name keeps a pasture,
                       the other a forest. If they spoke to one another,
                     
it was with short, forced words
                                    like first strokes when sawing—
                                             
                                              trying to set the teeth into the grain.