Burning Candle
In any case, by the time I realized I hadn’t spoken to my father
for many, many years, I was distracted. It was snowing
and I was stuck on page 157 of a biography of Casanova
who may have slept with multitudes, but lost
a fortune investing in a silk factory. I dreamed
about that story. I maintained my silence
in my cold room there, in Iowa, where industries
disappear the fingers and feet of its workers, a cohort
among which my dad might have been counted
had his travels led him farther north. Is there hazard pay
in the feeding of America? I have traveled so far from God,
my dad might have quoted if he kept diaries.
But who was I kidding? It was not the season of fathers.
It was the season of asylum. My uncle told me so.
While I sat there, in the gauzy twilight of snowy Iowa,
he traveled to the edge of Arizona
where he walked himself, hands in pockets, to border patrol.
When I was a child, he was also a child.
He held me down, poured wax on my neck
from hot devotional candles. I read in my room
when Juan Diego bailed on his meeting with the ghost
of Mary, she chided him for worrying
about his terminal uncle. Am I not here, she asked,
I, who is your sanctuary? I dreamed about that story
when the snow first began falling in Iowa. I was warmed
by the wax that tore like an arrow through my skin.
Copyright © 2025 by Austin Araujo. Originally published in Poem-a-Day on January 1, 2026 by the Academy of American Poets.
“This poem was written at the beginning of my first winter in Iowa. It’s about memory and imagination, fathers and sons, brothers. One other thing the poem wants to do is flicker between ambivalence and commitment, to live in a complicated mix. The references to external texts—real and imagined—tells me the poem also wants to dramatize the effort to locate other, older language to describe that flickering.”
—Austin Araujo