In a meadow  
as wide as a wound 
I thought to stop  
and study the lesser stitchwort’s  
white flowers lacing up  
boot-level grasses 
when I was scolded in song 
by a black and white bird  
whose wings sipped air, 
swallow-like, until he landed  
on the highest tip 
of yellow dock,  
still singing his beautiful warning, 
the brown female  
with him in fear.  
The warning was real: 
the anniversary of my husband’s suicide.  
What was the matter with life? Sometimes 
when wind blows, 
the meadow moves like an ocean, 
and on that day, 
I was in its wake— 
I mean the day in the meadow. 
I mean the day he died.  
This is not another suicide poem. 
This is a poem about a bird 
I wanted to know and so 
I spent that evening looking 
up his feathers and flight,  
spent most of the night 
searching for mating habits  
and how to describe the yellow 
nape of his neck like a bit  
of gothic stained glass, 
or the warm brown 
females with a dark eyeline.  
How could I have known  
like so many species  
they too are endangered? 
God must be exhausted: 
those who chose life; 
those who chose death.  
That day I braided a few 
strips of timothy hay  
as I waited for the pair 
to move again, to lift  
from the field and what,  
live? The dead can take 
a brother, a sister; not really.  
The dead have no one.  
Here in this field  
I worried the mowers 
like giant gorging mouths 
would soon begin again 
and everything would be  
as it will.