Blues: Odysseus
How many sat underwater,
entangled by myth’s past tense,
before Neptune first raised his
beard in the direction of Ethiopia,
and after, Odysseus—
always living—
was saved by Homer’s tablet?
Centuries after that story was written,
in the land of Not Make Believe,
a crew of slave-ship sailors
threw one hundred and thirty-two
Africans into the Atlantic Ocean.
Heave-ho to souls.
And people. And laws. And kin.
But Odysseus lives. He always will,
Our Great White Hope—
before whiteness was invented—
this hero who longs for the wood’s sway.
Despite his tendency to chase tail—
sirens and sundry other
poppycock-drinking girls—
I want to be happy that Homer imagined
a sea housing pretty, forgiving Nymphs—
while somewhere else, a wheel dances
and someone else drowns.
Sharks should pass Odysseus by,
never imagining his taste.
The gods shouldn’t pull at his fate—
now angry, now benevolent.
I try hard not to blame that man:
We all deserve our Maker’s love.
Copyright © 2020 Honorée Fanonne Jeffers. From The Age of Phillis (Wesleyan University Press, 2020). Used with permission of the author.
This poem is written after Romare Bearden’s painting “Odysseus Rescued by Sea Nymphs,” and references The Zong slave ship massacre of 1781, when at least one hundred and thirty enslaved Africans were murdered when the ship’s crew threw them overboard. The owners of The Zong then filed an insurance claim in England, to be reimbursed for the value of the murdered Africans.