Azaleas
appear in all the early photos.
My arms belted around my mother,
only the top of my head seen
because she has spoken sharply
and now resorts to begging.
“Your father hasn’t seen you
in eight weeks. Smile. Smile!”
I am too sad or sick to obey
and she makes that sound
between her teeth that
signals the end of a unit
of patience. I release her
and dash off. What follows
I don’t remember. Only after,
dawdling along the hedge,
touching the little flaring flowers.
There are so many that as I run
my hand along, I meet more,
nothing else. The top of my head
is hot from sun. I understand
I am two girls. The one my mother
wants and the one who lives only
among her own kind.
Copyright © 2022 by Esther Lin. Originally published in Poem-a-Day on October 20, 2022, by the Academy of American Poets.
“Azaleas were the first flowers I encountered in the Northern Hemisphere—little and almost scandalously bright. They seemed to have grown out of the snow that filled the shrubs weeks earlier. And they signaled the solitude I needed those days, when my family emigrated to the U.S., when we were busy with the work of survival and the appearance of prosperity. Solitude offered me defiance, independence, and access to imagination, where things beyond sheer reactivity can take place.”
—Esther Lin
Esther Lin
Esther Lin is an undocumented poet and the author of The Ghost Wife (Poetry Society of America, 2018). A co-organizer of Undocupoets, her work has been supported by Cité Internationale, the Fine Arts Work Center in Provincetown, Stanford University, the Poetry Society of America, and Poets House, among other organizations.