American Sonnet for My Past and Future Assassin [Even the most kindhearted white woman]

Terrance Hayes - 1971-
Even the most kindhearted white woman,
Dragging herself through traffic with her nails
On the wheel & her head in a chamber of black
Modern American music may begin, almost
Carelessly, to breathe n-words. Yes, even the most
Bespectacled hallucination cruising the lanes
Of America may find her tongue curls inward,
Entangling her windpipe, her vents, toes & pedals
When she drives alone. Even the most made up
Layers of persona in a two- or four-door vehicle
Sealed in a fountain of bass & black boys
Chanting n-words may begin to chant inwardly
Softly before she can catch herself. Of course,
After that, what is inward, is absorbed.

More by Terrance Hayes

At Pegasus

They are like those crazy women 
   who tore Orpheus
      when he refused to sing,

these men grinding
   in the strobe & black lights
      of Pegasus. All shadow & sound.

"I'm just here for the music," 
   I tell the man who asks me
      to the floor. But I have held

a boy on my back before.
   Curtis & I used to leap
      barefoot into the creek; dance

among maggots & piss,
   beer bottles & tadpoles
      slippery as sperm;

we used to pull off our shirts, 
   & slap music into our skin.
      He wouldn't know me now
	  
at the edge of these lovers' gyre, 
   glitter & steam, fire,
      bodies blurred sexless

by the music's spinning light.
   A young man slips his thumb
      into the mouth of an old one,

& I am not that far away.
   The whole scene raw & delicate 
      as Curtis's foot gashed

on a sunken bottle shard. 
   They press hip to hip,
      each breathless as a boy

carrying a friend on his back. 
   The foot swelling green
      as the sewage in that creek.

We never went back.
   But I remember his weight 
      better than I remember

my first kiss.
   These men know something
      I used to know.

How could I not find them
   beautiful, the way they dive & spill 
      into each other,

the way the dance floor
   takes them,
      wet & holy in its mouth.

What I Am

Fred Sanford's on at 12
& I'm standing in the express lane (cash only)
about to buy Head & Shoulders
the white people shampoo, no one knows
what I am. My name could be Lamont.
George Clinton wears colors like Toucan Sam,
the Froot Loop pelican. Follow your nose,
he says. But I have no nose, no mouth,
so you tell me what's good, what's god,
what's funky. When I stop
by McDonalds for a cheeseburger, no one
suspects what I am. I smile at Ronald's poster,
perpetual grin behind the pissed-off, fly-girl
cashier I love. Where are my goddamn fries?
Ain't I American? I never say, Niggaz
in my poems. My ancestors didn't
emigrate. Why would anyone leave
their native land? I'm thinking about shooting
some hoop later on. I'll dunk on everyone
of those niggaz. They have no idea
what I am. I might be the next Jordan
god. They don't know if Toni Morrison
is a woman or a man. Michael Jackson
is the biggest name in showbiz. Mamma se 
Mamma sa mamma ku sa, sang the Bushmen 
in Africa. I'll buy a dimebag after the game, 
me & Jody. He says, Fuck them white people 
at work, Man. He was an All-American 
in high school. He's cool, but he don't know 
what I am, & so what. Fred Sanford's on 
in a few & I got the dandruff-free head 
& shoulders of white people & a cheeseburger 
belly & a Thriller CD & Nike high tops 
& slavery's dead & the TV's my daddy-- 
   You big Dummy!
Fred tells Lamont.

Shafro

Now that my afro's as big as Shaft's 
I feel a little better about myself. 
How it warms my bullet-head in Winter,

black halo, frizzy hat of hair. 
Shaft knew what a crown his was, 
an orb compared to the bush

on the woman sleeping next to him. 
(There was always a woman 
sleeping next to him. I keep thinking,

If I'd only talk to strangers. . . 
grow a more perfect head of hair.) 
His afro was a crown.

Bullet after barreling bullet, 
fist-fights & car chases, 
three movies & a brief TV series,

never one muffled strand, 
never dampened by sweat-- 
I sweat in even the least heroic of situations.

I'm sure you won't believe this, 
but if a policeman walks behind me, I tremble:
What would Shaft do? What would Shaft do?

Bits of my courage flake away like dandruff. 
I'm sweating even as I tell you this, 
I'm not cool,

I keep the real me tucked beneath a wig,
I'm a small American frog.
I grow beautiful as the theatre dims.