alameda point

—after lucille clifton

Untitled Document

the estuary opens to the bay
and the bay stretches into the pacific and so on 
therefore and such-and-such,
none of them empty or full
in the way no frame can minimize nor contain horizon—
yet the ocean can be it, even when sky
and sea are the same late summer gray
they blend together erasing, making
each other. the humpback whale
breaching the slate screen is the only
one who knows the tension between.
here arrive two children winding bikes
on the path to the point passing succulents
and ground squirrels, and three pelicans
follow in spinning dives to slash
down on this estuary guarded 
by gurgling sea lions. the children 
collecting rocks and examining mussel shells, 
millennia in their hands, nod to each other and laugh
racing childhood to the pier’s edge.

Credit

Copyright © 2025 by David Maduli. Originally published in Poem-a-Day on April 14, 2025, by the Academy of American Poets.

About this Poem

“The first year of the COVID-19 pandemic slowed—even stopped—time for me, but my children continued to grow with abandon. One afternoon, as they biked on the eastern edge of San Francisco Bay, I felt a swell of hope, seeing their young spirits immersed in the natural world. Praise due to the great Lucille Clifton; her poem ‘the mississippi river empties into the gulf’ traces the inexorable, cyclical expanse of time, how human actions are both insignificant on the cosmic scale [and] yet profoundly and destructively consequential in the now. Her work opened an aperture for me to capture this moment, a simultaneous glimpse of ephemerality and infinity.” 
—David Maduli