Fidelity
Grocery store carnations
arranged on a kitchen table—
call things what they are—they’re dead,
the flowers, the water only delays
their dying. Online, a biology forum
debates what constitutes death:
Tissue dies, someone writes,
and everyone agrees though not
on a definition. Theory of mind,
theories of everything—I trained
to be an English teacher for years
before I suffered under a principal
who warned me: pronouns are heavy here,
and I agreed, though we meant
different things, he was telling me
to avoid teaching a part of speech.
My friend had a hysterectomy
before the state could take away
his right to do it; more friends
married last year for the same reason,
rings bought with a promise
to upgrade them in the future.
I like mimicry in nature, eyespots
on a moth, though I recognize
that change is one response to brutality—
like Judith slaying Holofernes,
her sword passing cleanly through
the despot’s neck; when the people
of her besieged city saw his severed
head, they must have applauded,
they must have felt such unrepentant joy.
Copyright © 2026 by William Ward Butler. Originally published in Poem-a-Day on June 4, 2026, by the Academy of American Poets.
“It’s true that everything is political, and I felt that acutely in 2025 when I wrote this poem. The poem references the biblical story from the Book of Judith wherein Judith saves her city of Bethulia from an invading army by decapitating the general, Holofernes. Many painters have depicted this story through their art, but none more strikingly than Artemisia Gentileschi with her painting Judith Slaying Holofernes (1612–13). Tyranny seeks to eliminate all other possibilities for the future; refusing tyranny means creating a different future than the one [that] those in power call inevitable.”
—William Ward Butler