From “Meditations of the Old Young Man” [2. What it was to live ...]
translated from the French by Lindsay Turner
2. What it was to live in a lake-&-mountain town:
every morning wooden shutters open on 1 more
offering of fog or not at all: the still water glittering
unwrinkled and as reassuring as the simple geometry
of an unfinished and 2D world. In its joy
the landscape skips into the general register of intimacy
that any plenitude will authorize. You who the lake
amazes, now listen to the bells so turbulently excited
to ring out 7am that they stop just 16 strokes
later: and thus the instant paradiso is multiplied according to
its own exuberant illogic. Living will descend down to
the bank, the water’s wild sympathizers,
here the intersection of time with time itself, the little boat,
the fisherman standing in it punctuating with a calming motion
his own existence, ducks and swans and cormorants
included. And the lapping waves appear to hum
the nursery rhyme of this almost-present or if now were
just exactly what you needed to know: the trunks, the willows & plane trees
leaning according to the sinuous idea of a curve
over the pedalboats & glaciers entrusted them,
elucidating without fault, at the evening’s height,
the ochre calligraphies of refuge.
[2. Ce que fut vivre dans une ville lac-&-montagne:]
2. Ce que fut vivre dans une ville lac-&-montagne :
chaque matin les volets de bois ouvrent sur 1 autre
offre de brume ou bien l’inverse : l’eau étale scintille
sans pli et aussi rassurante que la géométrie simple
d’un monde non-fini à 2 dimensions. Dans sa joie
le paysage en profite pour passer à ce tutoiement
général que toute plénitude autorise. Toi que le lac
épate, écoute aussi la cloche si confusément excitée
de sonner 7 heures qu’elle cesse seulement 16 coups
plus tard : ainsi l’instant paradiso s’enmultiplie selon
son illogique exubérance. Vivre descendra vers
la rive et les farouches sympathisants de l’eau,
c’est sans doute ici l’intersection du temps avec le temps lui-même,
la barque, le pêcheur debout dedans ponctuant des gestes du calme
sa propre existence, canards et cygnes et cormorans
compris. Et le clapotis de vagues paraît chantonner
la comptine du presque-présent ou si maintenant était
juste ce qu’il faut savoir : les troncs, saules & platanes,
des arbres se penchent selon l’idée sinueuse de courbe
sur les pédalos pontons & glaciers qui leur sont confiés,
élucidant sans faillir dans l’acmé du soir les ocres calligraphies du refuge.
Copyright © 2026 by Stéphane Bouquet, translated by Lindsay Turner. Originally published in Poem-a-Day on September 14, 2026, by the Academy of American Poets.
“This poem is an excerpt from the final book by the French poet Stéphane Bouquet, Everything Holds, published in France by P.O.L. in 2025 and forthcoming in English from Nightboat. In this poem, as in the book, Bouquet reflects with a singular combination of melancholy and exuberance on individual, romantic, and communal existence, using the presence of poetry’s music as a counterweight against a growing awareness of death’s final silence.”
—Lindsay Turner