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A. Van Jordan

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A. Van Jordan

A. Van Jordan was born on March 5, 1965, in Akron, Ohio. He received his BA in English literature from Wittenberg University in Springfield, Ohio, and his MA in communications from Howard University in Washington, D.C. While in Washington, D.C., Jordan began to attend poetry readings and became interested in writing poetry. In 1998, he earned his MFA in creative writing from Warren Wilson College in Asheville, North Carolina.

Jordan has published four books of poetry: The Cineaste: Poems (W. W. Norton & Company, 2013); Quantum Lyrics (W. W. Norton & Company, 2007); M-A-C-N-O-L-I-A (W. W. Norton & Company, 2005), winner of an Anisfield-Wolf Book Award; and Rise (Tia Chucha Press, 2001), winner of the PEN Oakland/Josephine Miles Award.

Jordan’s poetry is influenced by music, film, race, history, and pop culture. His most recent book, The Cineaste, marries his love of film with poetry in pieces that re-examine a wide range of seminal films such as Nosferatu (1922), The Homesteader (1919), Run Lola Run (1998), and Oldboy (2003) through the perspectives of both the voyeur and the character onscreen. In his review of The Cineaste, poet Terrance Hayes said, “With an imagination illuminated by empathy, Jordan inhabits the eye of the camera, the eye of the actor, and the ‘I’ of a viewer tethered to image and history. These terrific poems give shape to lives made of light.”

Jordan has been awarded the Whiting Writers Award, a Pushcart Prize, a John Simon Guggenheim Fellowship, and a United States Artists Williams Fellowship. He is a professor of English at the University of Michigan and lives in Ann Arbor, Michigan.


Bibliography

The Cineaste: Poems (W. W. Norton & Company, 2013)
Quantum Lyrics (W. W. Norton & Company, 2007)
M-A-C-N-O-L-I-A (W. W. Norton & Company, 2005)
Rise (Tia Chucha Press, 2001)

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INSERT SHOT: Einstein’s notebook 1905—DAY 1: a theory that is based on two postulates (a) that the speed of light in all inertial frames is constant, independent of the source or observer. As in, the speed of light emitted from the truth is the same as that of a lie coming from the lamp of a face aglow with trust,

poem
(Park Chan-Wook, 2003)
If one rainy night you find yourself
leaving a phone booth, and you meet a man
with a lavender umbrella, resist
your desire to follow him, to seek
shelter from the night in his solace.
Later, don't fall victim to the Hypnotist's
narcotic of clarity, which proves
a