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poet

C. D. Wright

1949- , Mountain Home , AR , United States
Chancellor 2013-
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C. D. Wright

On January 6, 1949, C. D. Wright was born in Mountain Home, Arkansas. She received a BA degree from Memphis State College (now the University of Memphis) in 1971 and an MFA from the University of Arkansas in 1976.

She has published numerous volumes of poetry including One With Others (Copper Canyon Press, 2010), which received the 2011 Lenore Marshall Poetry Prize from the Academy of American Poets; 40 Watts (Octopus Books, 2009); Rising, Falling, Hovering (Copper Canyon Press, 2008), which won the Griffin Poetry Prize; Cooling Time: An American Poetry Vigil (Copper Canyon Press, 2005); One Big Self: Prisoners of Louisiana (Copper Canyon Press, 2003), with photographer Deborah Luster; and Steal Away: New and Selected Poems (Copper Canyon Press, 2002).

Her other books include Deepstep Come Shining (Copper Canyon Press, 1998); Tremble (Ecco Press, 1996); Just Whistle: A Valentine (Kelsey St. Press, 1993); String Light (University of Georgia Press, 1991), which won the Poetry Center Book Award; Further Adventures with You (Carnegie Mellon, 1986); and Translation of the Gospel Back into Tongues (State University of New York Press, 1981). She has also published two state literary maps, one for Arkansas, her native state, and one for Rhode Island, her adopted state.

While much of Wright's early work is narrative in content, her later poetry is characterized by experimental forms, sharp wit, and a strong sense of place, most notably rooted in the Ozarks and Rhode Island. "Poetry is a necessity of life," Wright has said. "It is a function of poetry to locate those zones inside us that would be free, and declare them so."

About her work, a reviewer for The New Yorker wrote: "Wright has found a way to wed fragments of an iconic America to a luminously strange idiom, eerie as a tin whistle, which she uses to evoke the haunted quality of our carnal existence."

Among her numerous honors are a Lannan Literary Award, a Whiting Award, the Witter Bynner Prize, and fellowships from the Bunting Institute, the Guggenheim Foundation, the MacArthur Foundation, and the National Endowment for the Arts. She served as Poet Laureate of Rhode Island from 1994-1999.

In 2013, Wright was elected a Chancellor of the Academy of American Poets. Anne Waldman praised her selection, saying: "Brilliantly astute, generous, witty, panoramic, celebratory, C.D. Wright is one of our most fearless writers, possessed with an urgency that pierces through the darkness of our time. She carries a particular Southern demographic that bears witness, that investigates history, humanity, and consciousness in powerfully innovative, often breathtaking language. Hers is a necessary poetics, on fire with life and passion for what matters."

With her husband, poet Forrest Gander, she edits Lost Roads Publishers. Wright teaches at Brown University in Providence, Rhode Island.


Selected Bibliography

One With Others (Copper Canyon Press, 2010)
40 Watts (Octopus Books, 2009)
Rising, Falling, Hovering (Copper Canyon Press, 2008)
Cooling Time: An American Poetry Vigil (Copper Canyon Press, 2005)
One Big Self: Prisoners of Louisiana, with Deborah Luster, (Copper Canyon Press, 2003)
Steal Away: New and Selected Poems (Copper Canyon Press, 2002)
Deepstep Come Shining (Copper Canyon Press, 1998)
Tremble (Ecco Press, 1996)
Just Whistle: A Valentine (Kelsey St. Press, 1993)
String Light (University of Georgia Press, 1991)
Further Adventures with You (Carnegie Mellon, 1986)
Translation of the Gospel Back into Tongues (State University of New York Press, 1981)
Terrorism (Lost Roads Press, 1979)
Room Rented By A Single Woman (Lost Roads Press, 1977)

by this poet

poem
Some nights I sleep with my dress on. My teeth
are small and even. I don't get headaches.
Since 1971 or before, I have hunted a bench
where I could eat my pimento cheese in peace.
If this were Tennessee and across that river, Arkansas,
I'd meet you in West Memphis tonight. We could
have a big time. Danger,
poem
A girl on the stairs listens to her father
Beat up her mother.
Doors bang.
She comes down in her nightgown.

The piano stands there in the dark 
Like a boy with an orchid.

She plays what she can
Then she turns the lamp on.

Her mother's music is spread out
On the floor like brochures.

She hears her father
poem

Night:     wears itself away    clouds too dense to skim
over the shear granite rim       only a moment before
someone sitting in a mission chair       convinced  101%
convinced    she could see into her very cells
with her unassisted eyes     even into extremophiles
even with the