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About this poet

Henry Wadsworth Longfellow was born in Portland, Maine—then still part of Massachusetts—on February 27, 1807, the second son in a family of eight children. His mother, Zilpah Wadsworth, was the daughter of a Revolutionary War hero. His father, Stephen Longfellow, was a prominent Portland lawyer and later a member of Congress.

Henry was a dreamy boy who loved to read. He heard sailors speaking Spanish, French and German in the Portland streets and liked stories set in foreign places: The Arabian Nights, Robinson Crusoe, and the plays of Shakespeare.

After graduating from Bowdoin College, Longfellow studied modern languages in Europe for three years, then returned to Bowdoin to teach them. In 1831 he married Mary Storer Potter of Portland, a former classmate, and soon published his first book, a description of his travels called Outre Mer ("Overseas"). But in November 1835, during a second trip to Europe, Longfellow's life was shaken when his wife died during a miscarriage. The young teacher spent a grief-stricken year in Germany and Switzerland.

Longfellow took a position at Harvard in 1836. Three years later, at the age of 32, he published his first collection of poems, Voices of the Night, followed in 1841 by Ballads and Other Poems. Many of these poems ("A Psalm of Life," for example) showed people triumphing over adversity, and in a struggling young nation that theme was inspiring. Both books were very popular, but Longfellow's growing duties as a professor left him little time to write more. In addition, Frances Appleton, a young woman from Boston, had refused his proposal of marriage.

Frances finally accepted his proposal the following spring, ushering in the happiest 18 years of Longfellow's life. The couple had six children, five of whom lived to adulthood, and the marriage gave him new confidence. In 1847, he published Evangeline, a book-length poem about what would now be called "ethnic cleansing." The poem takes place as the British drive the French from Nova Scotia, and two lovers are parted, only to find each other years later when the man is about to die.

In 1854, Longfellow decided to quit teaching to devote all his time to poetry. He published Hiawatha, a long poem about Native American life, and The Courtship of Miles Standish and Other Poems. Both books were immensely successful, but Longfellow was now preoccupied with national events. With the country moving toward civil war, he wrote "Paul Revere's Ride," a call for courage in the coming conflict.

A few months after the war began in 1861, Frances Longfellow was sealing an envelope with wax when her dress caught fire. Despite her husband's desperate attempts to save her, she died the next day. Profoundly saddened, Longfellow published nothing for the next two years. He found comfort in his family and in reading Dantes Divine Comedy. (Later, he produced its first American translation.) Tales of a Wayside Inn, largely written before his wife's death, was published in 1863.

When the Civil War ended in 1865, the poet was 58. His most important work was finished, but his fame kept growing. In London alone, 24 different companies were publishing his work. His poems were popular throughout the English-speaking world, and they were widely translated, making him the most famous American of his day. His admirers included Abraham Lincoln, Charles Dickens, and Charles Baudelaire.

From 1866 to 1880, Longfellow published seven more books of poetry, and his seventy-fifth birthday in 1882 was celebrated across the country. But his health was failing, and he died the following month, on March 24. When Walt Whitman heard of the poet's death, he wrote that, while Longfellow's work "brings nothing offensive or new, does not deal hard blows," he was the sort of bard most needed in a materialistic age: "He comes as the poet of melancholy, courtesy, deference—poet of all sympathetic gentleness—and universal poet of women and young people. I should have to think long if I were ask'd to name the man who has done more and in more valuable directions, for America."

Frank Beck contributed to the writing and research of this profile of Henry Wadsworth Longfellow.


Selected Bibliography

Poetry

Aftermath (1873)
Ballads and Other Poems (1841)
Christus: A Mystery (1872)
Evangeline (1847)
Flower-de-Luce (1867)
Household Poems (1863)
Keramos and Other Poems (1878)
Poems on Slavery (1842)
Tales of a Wayside Inn (1863)
The Belfry of Bruges and Other Poems (1845)
The Courtship of Miles Standish (1858)
The Golden Legend (1851)
The Masque of Pandora and Other Poems (1875)
The Seaside and Fireside (1849)
The Song of Hiawatha (1855)
Three Books of Song (1872)
Ultima Thule (1880)
Voices of the Night (1839)

Prose

The New England Tragedies (1868)

Drama

The Spanish Student (1843)

Essays

Outre-Mer: A Pilgrimmage Beyond the Sea (1835)

Fiction

Hyperion: A Romance (1839)
Kavanagh: A Tale (1849)

Poetry in Translation

The Divine Comedy of Dante Alighieri (1867)

Today We Make the Poet's Words Our Own

Henry Wadsworth Longfellow, 1807 - 1882
To-day we make the poet's words our own, 
And utter them in plaintive undertone; 
Nor to the living only be they said, 
But to the other living called the dead, 
Whose dear, paternal images appear 
Not wrapped in gloom, but robed in sunshine here; 
Whose simple lives, complete and without flaw, 
Were part and parcel of great Nature's law; 
Who said not to their Lord, as if afraid, 
"Here is thy talent in a napkin laid," 
But labored in their sphere, as men who live 
In the delight that work alone can give. 
Peace be to them; eternal peace and rest, 
And the fulfilment of the great behest: 
"Ye have been faithful over a few things, 
Over ten cities shall ye reign as kings."

From Morituri Salutamus: Poem for the Fiftieth Anniversary of the Class of 1825 in Bowdoin College; 1875.

From Morituri Salutamus: Poem for the Fiftieth Anniversary of the Class of 1825 in Bowdoin College; 1875.

Henry Wadsworth Longfellow

Henry Wadsworth Longfellow

Henry Wadsworth Longfellow, one of the "Fireside Poets," wrote lyrical poems about history, mythology, and legend that were popular and widely translated, making him the most famous American of his day. 

by this poet

poem
Between the dark and the daylight,
   When the night is beginning to lower,
Comes a pause in the day's occupations,
   That is known as the Children's Hour.

I hear in the chamber above me
   The patter of little feet,
The sound of a door that is opened,
   And voices soft and sweet.

From my study I see in the
poem
All houses wherein men have lived and died
Are haunted houses. Through the open doors
The harmless phantoms on their errands glide,
With feet that make no sound upon the floors.

We meet them at the door-way, on the stair,
Along the passages they come and go,
Impalpable impressions on the air,
A sense of
poem
In the long, sleepless watches of the night,
A gentle face--the face of one long dead--
Looks at me from the wall, where round its head
The night-lamp casts a halo of pale light.
Here in this room she died, and soul more white
Never through martyrdom of fire was led
To its repose; nor can in books be read
The