poem index

sign up to receive a new poem-a-day in your inbox

About this poet

Brigit Pegeen Kelly was born in Palo Alto, California, in 1951.

Her first collection of poems, To The Place of Trumpets (1987), was selected by James Merrill for the Yale Series of Younger Poets. Song (BOA Editions), which followed in 1995, was the 1994 Lamont Poetry Selection of the Academy of American Poets. Her third collection, The Orchard (2004), was a finalist for the Pulitzer Prize in Poetry, the Los Angeles Times Book Award in Poetry, and the National Book Critics Circle Award in Poetry.

About her work, the poet Stephen Dobyns has said, "Brigit Pegeen Kelly is one of the very best poets now writing in the United States. In fact, there is no one who is any better. Not only are her poems brilliantly made, but they also give great pleasure. Rarely are those two qualities seen together in one poet."

Kelly was the 2008 recipient of the Academy of American Poets Fellowship. Her other honors include a "Discovery"/The Nation Award, the Cecil Hemley Award from the Poetry Society of America, the Theodore Roethke Prize from Poetry Northwest, and a Whiting Writers Award, as well as fellowships from the John Simon Guggenheim Memorial Foundation, the National Endowment for the Arts, the Illinois State Council on the Arts, and the New Jersey Council on the Arts.

Her work has also appeared in several volumes of the Pushcart Prize Anthology and several volumes of The Best American Poetry.

She has taught at the University of California at Irvine, Purdue University, and Warren Wilson College, as well as numerous writers' conferences in the United States and Ireland. In 2002 the University of Illinois awarded her both humanities and campus-wide awards for excellence in teaching. She is currently a professor of English at the University of Illinois, Urbana-Champaign.


Selected Bibliography

To The Place of Trumpets (Yale University Press, 1987)
Song (BOA Editions, 1995)
The Orchard (BOA Editions, 2004)
Poems: Song and the Orchard (Carcanet Press Ltd, 2008)

The Satyr's Heart

Brigit Pegeen Kelly
Now I rest my head on the satyr's carved chest,
The hollow where the heart would have been, if sandstone
Had a heart, if a headless goat man could have a heart.
His neck rises to a dull point, points upward
To something long gone, elusive, and at his feet
The small flowers swarm, earnest and sweet, a clamor
Of white, a clamor of blue, and black the sweating soil
They breed in...If I sit without moving, how quickly
Things change, birds turning tricks in the trees,
Colorless birds and those with color, the wind fingering
The twigs, and the furred creatures doing whatever
Furred creatures do. So, and so.  There is the smell of fruit
And the smell of wet coins. There is the sound of a bird
Crying, and the sound of water that does not move...
If I pick the dead iris?  If I wave it above me
Like a flag, a blazoned flag?  My fanfare? Little fare
with which I buy my way, making things brave? The way
Now I bend over and with my foot turn up a stone,
And there they are: the armies of pale creatures who
Without cease or doubt sew the sweet sad earth.

From O Blessed Dark by Brigit Pegeen Kelly. Copyright © 2004 by Brigit Pegeen Kelly. Reprinted by permission of BOA Editions, Ltd. All rights reserved.

From O Blessed Dark by Brigit Pegeen Kelly. Copyright © 2004 by Brigit Pegeen Kelly. Reprinted by permission of BOA Editions, Ltd. All rights reserved.

Brigit Pegeen Kelly

Brigit Pegeen Kelly

Brigit Pegeen Kelly was born in Palo Alto, California, in 1951. Her first

by this poet

poem
My father said I could not do it,
but all night I picked the peaches.
The orchard was still, the canals ran steadily.
I was a girl then, my chest its own walled garden.
How many ladders to gather an orchard?
I had only one and a long patience with lit hands
and the looking of the stars which moved right through
poem

I saw once, in a rose garden, a remarkable statue of the Roman she-wolf and her twins, a reproduction of an ancient statue— not the famous bronze statue, so often copied, in which the blunt head swings forward toward the viewer like a sad battering ram, but an even older statue, of provenance less clear. The wolf

poem
Listen: there was a goat's head hanging by ropes in a tree.
All night it hung there and sang. And those who heard it
Felt a hurt in their hearts and thought they were hearing
The song of a night bird. They sat up in their beds, and then
They lay back down again. In the night wind, the goat's head
Swayed back and

collected in

collection
“I trust your Garden was willing to die ...