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About this poet

Mark Doty was born on August 10, 1953. He is the author of several collections of poetry, most recently A Swarm, A Flock, A Host: A Compendium of Creatures (Prestel, 2013); Fire to Fire: New and Selected Poems (HarperCollins, 2008), which received the National Book Award; School of the Arts (HarperCollins, 2005); Source (HarperCollins, 2002); and Sweet Machine (HarperCollins, 1998).

Other collections include Atlantis (HarperCollins, 1995), which received the Ambassador Book Award, the Bingham Poetry Prize, and a Lambda Literary Award; My Alexandria (University of Illinois Press, 1993), chosen by Philip Levine for the National Poetry Series, which won the National Book Critics Circle Award and Britain's T. S. Eliot Prize, and was also a National Book Award finalist; Bethlehem in Broad Daylight (D.R. Godine, 1991); and Turtle, Swan (D.R. Godine, 1987).

In 2010, Graywolf Press published a collection of essays on poetry titled The Art of Description: World into Word, in which Doty asserts that "poetry concretizes the singular, unrepeatable moment; it hammers out of speech a form for how it feels to be oneself."

He has also published Heaven's Coast (HarperCollins, 1996), which received the PEN/Martha Albrand Award for First Nonfiction. Other memoirs by Doty includes Firebird (HarperCollins, 1999), Still Life with Oysters and Lemon: On Objects and Intimacy (Beacon Press, 2000), and Dog Years (HarperCollins, 2007). He has also edited The Best American Poetry 2012.

Doty has received fellowships from the Guggenheim Foundation, the Ingram Merrill Foundation, the National Endowment for the Arts, the Rockefeller Foundation, and the Whiting Foundation. He was elected a Chancellor of the Academy of American Poets in 2011.

He has taught at the University of Houston and is currently serving as a Distinguished Writer at Rutgers University. He currently lives in New York City.


Selected Bibliography

Poetry

A Swarm, A Flock, A Host: A Compendium of Creatures (Prestel, 2013)
Fire to Fire: New and Selected Poems (HarperCollins, 2008)
School of the Arts (HarperCollins, 2005)
Source (HarperCollins, 2002)
Sweet Machine (HarperCollins, 1998)
Atlantis (HarperCollins, 1995)
My Alexandria (University of Illinois Press, 1993)
Bethlehem in Broad Daylight (D.R. Godine, 1991)
Turtle, Swan (D.R. Godine, 1987)

Nonfiction

Dog Years (HarperCollins, 2007)
Still Life with Oysters and Lemon: On Objects and Intimacy (Beacon Press, 2000)
Firebird (HarperCollins, 1999)
Heaven's Coast (HarperCollins, 1996)

Robert Harms Paints the Surface of Little Fresh Pond

Mark Doty, 1953
Surface the action of the day,

a means of tracing the dynamic,
so that a jitter of blue's
sparked by little coals, 

sun a glimmer 
of the day's intent. He knows
to trace an alphabet written on water 

is to surface the action of the day,

a way of proceeding,
entering into the never-
to-be repeated,
 
a way of reading
a nearly infinite variety of gestures 
legible only to one versed

in surface, the action of the day. 

When my eye nearly failed 
—the frail foil-back torn,
wild profusion of smoke-curls,

what I saw was just this: 
what he sees on and in water,
by his hand

the action of surface notated,

the rhythm of things 
discerned and ridden.

Copyright © 2010 by Mark Doty. Used with permission of the author.

Copyright © 2010 by Mark Doty. Used with permission of the author.

Mark Doty

Mark Doty

Mark Doty is the author of several collections of poetry, including Fire to Fire: New and Selected Poems, which received the 2008 National Book Award.

by this poet

poem

For his birthday, I gave Stanley a hyacinth bean,
an annual, so he wouldn't have to wait for the flowers.

He said, Mark, I have just the place for it!
as if he'd spent ninety-eight years

anticipating the arrival of this particular vine.

I thought poetry a brace against time,

poem
Under Grand Central's tattered vault
  —maybe half a dozen electric stars still lit—
    one saxophone blew, and a sheer black scrim

billowed over some minor constellation
  under repair. Then, on Broadway, red wings
    in a storefront tableau, lustrous, the live macaws

preening, beaks opening and closing
poem

 

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