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Pastoral

Jennifer Chang
Something in the field is
working away. Root-noise.
Twig-noise. Plant
of weak chlorophyll, no
name for it. Something
in the field has mastered
distance by living too close
to fences. Yellow fruit, has it
pit or seeds? Stalk of wither. Grass-
noise fighting weed-noise. Dirt
and chant. Something in the
field. Coreopsis. I did not mean
to say that. Yellow petal, has it
wither-gift? Has it gorgeous
rash? Leaf-loss and worried 
sprout, its bursting art. Some-
thing in the. Field fallowed and
cicada. I did not mean to
say. Has it roar and bloom?
Has it road to follow? A thistle
prick, fraught burrs, such
easy attachment. Stem-
and stamen-noise. Can I lime-
flower? Can I chamomile?
Something in the field cannot.

From The History of Anonymity by Jennifer Chang. Copyright © 2008 by Jennifer Chang. Reprinted by permission of University of Georgia Press. All rights reserved.

From The History of Anonymity by Jennifer Chang. Copyright © 2008 by Jennifer Chang. Reprinted by permission of University of Georgia Press. All rights reserved.

Jennifer Chang

by this poet

poem
I cross the street
and my skin falls off. Who walks
to an abandoned lake? Who
abandons lakes? I ask questions
to evade personal statements. When you are
skinless, you cannot bear to be
more vulnerable. With skin, I
would say I am in love with
Love as in that old-time song
crooners like to croon. With skin
poem
Dark matter, are you 
sparkless 

for lack of knowing
better? The room 

you've spun is distant
and indivisible—

a flickering lapsarian,
you satisfy no mute

progress but 
collapse, spiral, winded

by unwinding. Dear 
enigma kid, dear psychic

soft spot, I write you
from under eight spastic 

lights, each
poem

                        on my birthday

I want a future
making hammocks
out of figs and accidents.
Or a future quieter
than snow. The leopards
stake out the backyard
and will flee at noon.
My terror is not secret,
but necessary,
as the wild must be,