About this poet

In 1970, Matthew Rohrer was born in Ann Arbor, Michigan, and raised in Oklahoma. He earned a BA from the University of Michigan, where he won a Hopwood Award for poetry, and a Master of Fine Arts degree in Poetry from the University of Iowa.

Rohrer's poetry collections include Destroyer and Preserver (Wave Books, 2011); A Plate of Chicken (Ugly Duckling Presse, 2009); Rise Up (Wave Books, 2007); A Green Light (Verse Press, 2004); Satellite (2001) and A Hummock in the Malookas (1995), which was selected by Mary Oliver for the 1994 National Poetry Series. With Joshua Beckman, he is co-author of Nice Hat. Thanks. and the audio CD Adventures While Preaching the Gospel of Beauty.

He lives in Brooklyn, New York and teaches at New York University.

Moss Retains Moisture

Matthew Rohrer
I never believed in bioluminescence before. 
Here in Moravia where all daylight hides 
the only illumination is whiskey. 
Names seem unimportant. 
Large are the memories growing elsewhere 
beneath themselves. 
Do hemlocks burn when stared at? 
Darkness always retains something shapely. 
Those leaves engender me. 
Bedding down in pine-covered nighttime 
I disappeared. Owls are silent. 
Bears rest. In Moravian mythology 
even I sleep well. 

From Nice Hat. Thanks. copyright © 2002 by Joshua Beckman and Matthew Rohrer. Reprinted by permission of Wave Books.

From Nice Hat. Thanks. copyright © 2002 by Joshua Beckman and Matthew Rohrer. Reprinted by permission of Wave Books.

Matthew Rohrer

Matthew Rohrer

The author of several collections of poetry, Matthrew Rohrer's book A Hummock in the Malookas was selected for the National Poetry Series

by this poet

poem

In the middle garden is the secret wedding,
that hides always under the other one
and under the shiny things of the other one. Under a tree
one hand reaches through the grainy dusk toward another.
Two right hands. The ring is a weed that will surely die.

There is no one else for miles,

poem

Central Park in a
pavilion of leaves
with extra sauce
for midday
is only a snack
and a photograph
of cold cherries
like a young woman's
legs softly peeling
after burning
a pennywhistle
in the distance
with the piping children's
voices which are

poem

I believe there is something else

entirely going on but no single
person can ever know it,
so we fall in love.

It could also be true that what we use
everyday to open cans was something
much nobler, that we'll never recognize.

I believe the woman sleeping beside me
doesn't