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About this Poem 

“‘Ithaca’ fuses the contemporary Ithaca with the mythic Ithaca. I think of the island of Ithaca and at the same time the isolation I felt growing up. Unlike Homer’s Odyssey, this speaker’s experience has not been redeemed by story. This Ithaca’s suburban, full of replicate houses, cold, anonymous: it’s no place to return to.”

—Ira Sadoff

Ithaca

Ira Sadoff, 1945

I’ve been blessed
with a few gusts of wind,
a few loves
to wave goodbye to.
I still think of mother’s kitchen,
sorry for tantrums
of way back when. No frost
lodged in me then. In those days
snow spread through town
like an epidemic: how archival
the blankness seemed.
If you flew above
the shell of the old house
it was nothing really:
there was no story
to our little ranch house,
so you couldn’t hear a thing.

Copyright @ 2014 by Ira Sadoff. Used with permission of the author. This poem appeared in Poem-a-Day on July 14, 2014.

Copyright @ 2014 by Ira Sadoff. Used with permission of the author. This poem appeared in Poem-a-Day on July 14, 2014.

Ira Sadoff

Ira Sadoff

Ira Sadoff was born in Brooklyn, New York, on March 7, 1945,

by this poet

poem
The shaft of narrative peers down.
The soul's a petrified fleck of partridge this October. 
Mud-spattered, it thinks it's brush, it thinks 
it's one with the brush when God aims 

just below its feathers. It's too late to raise the soul, 
some ossified conceit we use to talk about deer 
as if we were deer, to
poem
My first roses brought me to my senses.
All my furies, I launched them like paper boats 
in the algaed pond behind my house. 

First they were pale, then peach and blood red.
You could be merciless trimming them back.
You could be merciless and I needed that.

Emerald green with crimson tips,
these were no
poem
Once I could say
my loyal friend, the house wren.

I might even sing to him.
Did I not hear the beatific,

the breathlessness—
a patter shaking the tamarind pod,

the bright green feathery foliage
stammered by a breeze?

Those muttering implosions,
did nothing intend them?

Is the harp, too, obsolete?