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About this poet

In 1970, Matthew Rohrer was born in Ann Arbor, Michigan, and raised in Oklahoma. He earned a BA from the University of Michigan, where he won a Hopwood Award for poetry, and a Master of Fine Arts degree in Poetry from the University of Iowa.

Rohrer's poetry collections include Destroyer and Preserver (Wave Books, 2011); A Plate of Chicken (Ugly Duckling Presse, 2009); Rise Up (Wave Books, 2007); A Green Light (Verse Press, 2004); Satellite (2001) and A Hummock in the Malookas (1995), which was selected by Mary Oliver for the 1994 National Poetry Series. With Joshua Beckman, he is co-author of Nice Hat. Thanks. and the audio CD Adventures While Preaching the Gospel of Beauty.

He lives in Brooklyn, New York and teaches at New York University.

Garden of Bees

Matthew Rohrer
The narcissus grows past

the towers. Eight gypsy

sisters spread their wings

in the garden. Their gold teeth

are unnerving. Every single

baby is asleep. They want

a little money and I give

them less. I'm charming and

handsome. They take my pen.

I buy the poem from the garden

of bees for one euro. A touch

on the arm. A mystery word.

The sky has two faces.

For reasons unaccountable

my hand trembles.

In Roman times if they were

horrified of bees they kept it secret

Copyright © 2011 by Matthew Rohrer. Used with permission of the author.

Copyright © 2011 by Matthew Rohrer. Used with permission of the author.

Matthew Rohrer

Matthew Rohrer

The author of several collections of poetry, Matthrew Rohrer's book A Hummock in the Malookas was selected for the National Poetry Series

by this poet

poem
You called, you're on the train, on Sunday,
I have just taken a shower and await
you. Clouds are slipping in off the ocean,
but the room is gently lit by the green
shirt you gave me. I have been practicing
a new way to say hello and it is fantastic.
You were so sad: goodbye. I was so sad.
All the shops were
poem

Central Park in a
pavilion of leaves
with extra sauce
for midday
is only a snack
and a photograph
of cold cherries
like a young woman's
legs softly peeling
after burning
a pennywhistle
in the distance
with the piping children's
voices which are

poem
It was a basement with its own basement,
and in that basement were machines
and dusty weapons, the engines of the house;
where the floor gave way because of intense pressure
from below, and magma boiled up
through the wood-looking tiles;
where to leap to safety
broke my sister's foot;
where the animals that

collected in

collection
“I trust your Garden was willing to die ...